STORYTELLING WORKSHOP: 10 - 11 - July 12, 2009 - Palazzo Spinola in Rocchetta Ligure (AL)
Telling a story is a way to tell themselves. Telling a story there turns. It starts with no luggage to a dream destination that is somewhere between the teller and the listener. Our work on the narrative is not a method or system but a workout. Is to put the narrator in the optimal conditions for entering into the flow of history and bring the listener.
This is primarily a game, often as a team, which should be known to a few strict rules. Ferree because, paradoxically, are the real vehicle narrative for their freedom.
choices Narramondo issues are never separated from a path of inquiry and knowledge. It is this depth to stimulate the urge to become witnesses of history itself.
How were equipped with a wide angle you try to widen as much as possible the look on the issue and then be able to grasp the central point, live button. Telling the essence. Find your personal motivation to tell the story so that it can be transformed along the path in "need."
What is the essence of the path that makes the narrator? FIRST
Text. The choice of the story is the first, essential step. It must be product of an attraction, a bond, of a necessity. What is a monologue, a fable, a letter, essay or whatever, it's one of the texts recommended by us or a personal proposal, the narrator reads us first of all himself. It is attracted. Has the need and urgency to bear witness.
depths. Going beyond the text. Drawing from reality, from literature, cinema or other art forms, can deepen the subject choice and identify their point of view and / or starting to tell it. Become knowledgeable of their history.
Memory. Put in mind the text. Have a smooth and safe storage. Thus, as the list phone. Without prejudice. Without tones. That is, no acting.
TOGETHER
Narration. The narrator is projected outward, its concentration is toward the outside, built in front of her movie sets where it's turned his story. E 'in his eyes that is the projection of the film. And from there it passes to the next stage, the imponderable part of the job. What might happen or not. Flight. The narrator, or rather entered Surrender to the flow, it becomes something else changes.
Guide. From the outside, listen, we follow. There are games that take place, alongside the work. Games that take over, sometimes the words with the aim of getting better the attention of the teller. In general, drive carefully looking for the stimulus spot. The most intuitively correct input for each speaker.
depths. During the evenings films will be screened on the topics proposed, which can follow group discussions.
proposed text.
"The Crazy - A meeting with the Mothers of Plaza de Mayo"
Daniela Padoan and Bompiani
"The Irregulars - Buenos Aires horror tour
Massimo Carlotto and E / O
" Despite everything - stories in a low voice from prison in Argentina "
Miguel Benasayag and Filema
"Writers from prison"
AA.VV. - Universale Economica Feltrinelli
and "25 Monologues for women" (Dario Fo's plays vol.8)
Dario For and Franca Rame - and Einaudi
"Letters from death row inmates of the European Resistance" and Einaudi
"Letters of sentenced to death of the Italian Resistance "and Einaudi
should choose a song from one of the texts mentioned above or another text chosen and proposed by the participant. The total cost
the laboratory, including accommodation for 3 days and 2 nights is 150 €.
Meals will be prepared on site and managed to share common expenses for participants.
E 'will be a limited number of participants, we recommend you book as soon as possible and no later than June 30.
The seminar is conducted by: Elena Dragonetti
Born in Minto (It) on 16/11/1974 she graduated from the School of Drama of the Teatro Stabile of Genoa. Lives and works for six months with the Living Theatre, directed by Judith Malina and H. Reznikov. He works with several companies and theaters: Teatro Stabile di Genova, Teatro Stabile di Firenze, Teatro Stabile Umbria, Great Company Ball in Paris, Turin Shows, Theatre Cargo. Collaborate with directors: Valerio Binasco, Judith Malina, Ninni Bruschetta, Eugenio Allegri, Isabelle Magnin, Adriana Innocenti, Laura Sicignano, AL Messeri, Nicola panels, Carlo Orlando. From 2000 he worked with the company of the Teatro di Genova in dell'Archivolto performances under the direction of G. Gallio, G. Scaramuzzino. It is part of Narramondo since 2003 as an actress, author, director and co-artistic director.
Raffaella Tagliabue was born in Busto Arsizio (Va) on 28/09/1973 Diploma of Acting at the School of the Teatro Stabile of Genoa. He works with several companies and theaters: Teatro Stabile di Genova, nourishment Land, Teatro Stabile di Torino, Teatro della Contradiction Milan, Teatro Cargo Theatre Also, the Society of Ants, Italian Society of Prose. Collaborate with directors: Park Juraj Alschitz, Gianpiero Borgia, Ninni Bruschetta, Park Juraj Ferrini, Carmelo Rifici, Corrado D'Elia, Marco Maria Linzi, Saverio Soldani, Nicola panels, Carlo Orlando, Laura Sicignano. E 'was co-founder and actress of "Company of the Ants", actress and assistant director for AL Messeri. It is part of
Narramondo since 2003 as an actress, author, director and co-artistic director.
About
Narramondo is an association of people who have decided to bring in theater the wounds of our time. E 'was born in Genoa in July 2001. Since then followed paths of research in various directions with the aim of bringing to the public - in the theater and elsewhere-the "inadmissible" to oppressed peoples under occupation, people "hanging" and their beauty. Recount in under tragic - so distant from our melodrama - the resistance in Iraq, Palestine, Chechnya, in short, the peoples in conflict, the guerrilla resistance - our origins forgotten - the Nazi-Fascism. Dwell in the contemporary tragedy and we do it because half of the tourists and the other half witnessed the horror of pain and struggle. The fight should be repeated! We love those who resist and fight. Despite the stolen life, the pain and sores, the defendants unsheathe cheerful insolence that challenge the systems, the men responsible for the misery.
Shows narramondo Elena Dragonetti and Raffaella Tagliabue
Hanging by a thread. Info http://www.narramondo.it/spettacoli1.html clicking on the picture
Por la vida. Info http://www.narramondo.it/spettacoli2.html clicking on the picture
For reservations and information: Elena Dragonetti 3473775904 - 3398657158 Raffaella Tagliabue - progettoulrike@yahoo.it
Telling a story is a way to tell themselves. Telling a story there turns. It starts with no luggage to a dream destination that is somewhere between the teller and the listener. Our work on the narrative is not a method or system but a workout. Is to put the narrator in the optimal conditions for entering into the flow of history and bring the listener.
This is primarily a game, often as a team, which should be known to a few strict rules. Ferree because, paradoxically, are the real vehicle narrative for their freedom.
choices Narramondo issues are never separated from a path of inquiry and knowledge. It is this depth to stimulate the urge to become witnesses of history itself.
How were equipped with a wide angle you try to widen as much as possible the look on the issue and then be able to grasp the central point, live button. Telling the essence. Find your personal motivation to tell the story so that it can be transformed along the path in "need."
What is the essence of the path that makes the narrator? FIRST
Text. The choice of the story is the first, essential step. It must be product of an attraction, a bond, of a necessity. What is a monologue, a fable, a letter, essay or whatever, it's one of the texts recommended by us or a personal proposal, the narrator reads us first of all himself. It is attracted. Has the need and urgency to bear witness.
depths. Going beyond the text. Drawing from reality, from literature, cinema or other art forms, can deepen the subject choice and identify their point of view and / or starting to tell it. Become knowledgeable of their history.
Memory. Put in mind the text. Have a smooth and safe storage. Thus, as the list phone. Without prejudice. Without tones. That is, no acting.
TOGETHER
Narration. The narrator is projected outward, its concentration is toward the outside, built in front of her movie sets where it's turned his story. E 'in his eyes that is the projection of the film. And from there it passes to the next stage, the imponderable part of the job. What might happen or not. Flight. The narrator, or rather entered Surrender to the flow, it becomes something else changes.
Guide. From the outside, listen, we follow. There are games that take place, alongside the work. Games that take over, sometimes the words with the aim of getting better the attention of the teller. In general, drive carefully looking for the stimulus spot. The most intuitively correct input for each speaker.
depths. During the evenings films will be screened on the topics proposed, which can follow group discussions.
proposed text.
"The Crazy - A meeting with the Mothers of Plaza de Mayo"
Daniela Padoan and Bompiani
"The Irregulars - Buenos Aires horror tour
Massimo Carlotto and E / O
" Despite everything - stories in a low voice from prison in Argentina "
Miguel Benasayag and Filema
"Writers from prison"
AA.VV. - Universale Economica Feltrinelli
and "25 Monologues for women" (Dario Fo's plays vol.8)
Dario For and Franca Rame - and Einaudi
"Letters from death row inmates of the European Resistance" and Einaudi
"Letters of sentenced to death of the Italian Resistance "and Einaudi
should choose a song from one of the texts mentioned above or another text chosen and proposed by the participant. The total cost
the laboratory, including accommodation for 3 days and 2 nights is 150 €.
Meals will be prepared on site and managed to share common expenses for participants.
E 'will be a limited number of participants, we recommend you book as soon as possible and no later than June 30.
The seminar is conducted by: Elena Dragonetti
Born in Minto (It) on 16/11/1974 she graduated from the School of Drama of the Teatro Stabile of Genoa. Lives and works for six months with the Living Theatre, directed by Judith Malina and H. Reznikov. He works with several companies and theaters: Teatro Stabile di Genova, Teatro Stabile di Firenze, Teatro Stabile Umbria, Great Company Ball in Paris, Turin Shows, Theatre Cargo. Collaborate with directors: Valerio Binasco, Judith Malina, Ninni Bruschetta, Eugenio Allegri, Isabelle Magnin, Adriana Innocenti, Laura Sicignano, AL Messeri, Nicola panels, Carlo Orlando. From 2000 he worked with the company of the Teatro di Genova in dell'Archivolto performances under the direction of G. Gallio, G. Scaramuzzino. It is part of Narramondo since 2003 as an actress, author, director and co-artistic director.
Raffaella Tagliabue was born in Busto Arsizio (Va) on 28/09/1973 Diploma of Acting at the School of the Teatro Stabile of Genoa. He works with several companies and theaters: Teatro Stabile di Genova, nourishment Land, Teatro Stabile di Torino, Teatro della Contradiction Milan, Teatro Cargo Theatre Also, the Society of Ants, Italian Society of Prose. Collaborate with directors: Park Juraj Alschitz, Gianpiero Borgia, Ninni Bruschetta, Park Juraj Ferrini, Carmelo Rifici, Corrado D'Elia, Marco Maria Linzi, Saverio Soldani, Nicola panels, Carlo Orlando, Laura Sicignano. E 'was co-founder and actress of "Company of the Ants", actress and assistant director for AL Messeri. It is part of
Narramondo since 2003 as an actress, author, director and co-artistic director.
About
Narramondo is an association of people who have decided to bring in theater the wounds of our time. E 'was born in Genoa in July 2001. Since then followed paths of research in various directions with the aim of bringing to the public - in the theater and elsewhere-the "inadmissible" to oppressed peoples under occupation, people "hanging" and their beauty. Recount in under tragic - so distant from our melodrama - the resistance in Iraq, Palestine, Chechnya, in short, the peoples in conflict, the guerrilla resistance - our origins forgotten - the Nazi-Fascism. Dwell in the contemporary tragedy and we do it because half of the tourists and the other half witnessed the horror of pain and struggle. The fight should be repeated! We love those who resist and fight. Despite the stolen life, the pain and sores, the defendants unsheathe cheerful insolence that challenge the systems, the men responsible for the misery.
Shows narramondo Elena Dragonetti and Raffaella Tagliabue
Hanging by a thread. Info http://www.narramondo.it/spettacoli1.html clicking on the picture
Por la vida. Info http://www.narramondo.it/spettacoli2.html clicking on the picture
For reservations and information: Elena Dragonetti 3473775904 - 3398657158 Raffaella Tagliabue - progettoulrike@yahoo.it
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