NARRAMONDO ELEMENTS CONTEMPORARY STORYTELLING WORKSHOP (third edition) held by Nicola panels at the 'Eco-museum of the Terraces Cortemilia (CN)
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Telling a story is a way to tell themselves. Telling a story there turns. It starts with no luggage to a dream destination that is somewhere between the teller and the listener. Without going into details of the technique of rhythm and breathing, our work on the narrative is not a method or system but a workout. Is to put the narrator in the optimal conditions for entering into the flow of history and bring the listener. This is primarily a game, often as a team, which should be known to a few strict rules. Ferree because, paradoxically, are the true vehicle for freedom narrative. The result of collaboration with Nicola panels Binasco Valerio and Cristina Pezzoli, recitative, this model is certainly a novelty.
What is the essence of the path that we take the narrator?
Text. The choice of the story is the first step. Interior. What is a monologue, a fable, a letter, story, essay or whatever, the narrator reads us first of all himself. It is attracted. Has the need and urgency to give testimony.
Memory. Put in mind the text. Thus, as the telephone directory. Without prejudice. Without tones. That is, no acting.
technique. With the use of metronome breathing and "fiction," the teller is projected outward, its concentration is toward the outside, built in front of her movie sets where it's turned his story. E 'in his eyes that is the projection of the film.
flow. Here is the imponderable of work. What might happen or not. Flight. Entered, or rather, surrender to the flow (flowing river), the narrator becomes something changes.
Guide. From outside, listening, follow. There are games that take place, alongside the work. Games that take over, sometimes the words with the aim of getting more attention of the teller. In general, drive carefully looking for the stimulus spot. The most intuitively correct input for each speaker.
areas of investigation are the texts listed below, to choose, in agreement with the leaders of the seminar, a short piece (you know by heart) taken from
Svetlana Aleksievič Enchanted death A Prayer for Chernobyl - Boys Zinc
Giulio Salierno hanging. Stories of thieves, prostitutes, robbers, Camorra
By Isabella Camera D'Afflitto Writers Arabs of the twentieth century
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Telling a story is a way to tell themselves. Telling a story there turns. It starts with no luggage to a dream destination that is somewhere between the teller and the listener. Without going into details of the technique of rhythm and breathing, our work on the narrative is not a method or system but a workout. Is to put the narrator in the optimal conditions for entering into the flow of history and bring the listener. This is primarily a game, often as a team, which should be known to a few strict rules. Ferree because, paradoxically, are the true vehicle for freedom narrative. The result of collaboration with Nicola panels Binasco Valerio and Cristina Pezzoli, recitative, this model is certainly a novelty.
What is the essence of the path that we take the narrator?
Text. The choice of the story is the first step. Interior. What is a monologue, a fable, a letter, story, essay or whatever, the narrator reads us first of all himself. It is attracted. Has the need and urgency to give testimony.
Memory. Put in mind the text. Thus, as the telephone directory. Without prejudice. Without tones. That is, no acting.
technique. With the use of metronome breathing and "fiction," the teller is projected outward, its concentration is toward the outside, built in front of her movie sets where it's turned his story. E 'in his eyes that is the projection of the film.
flow. Here is the imponderable of work. What might happen or not. Flight. Entered, or rather, surrender to the flow (flowing river), the narrator becomes something changes.
Guide. From outside, listening, follow. There are games that take place, alongside the work. Games that take over, sometimes the words with the aim of getting more attention of the teller. In general, drive carefully looking for the stimulus spot. The most intuitively correct input for each speaker.
areas of investigation are the texts listed below, to choose, in agreement with the leaders of the seminar, a short piece (you know by heart) taken from
Svetlana Aleksievič Enchanted death A Prayer for Chernobyl - Boys Zinc
Giulio Salierno hanging. Stories of thieves, prostitutes, robbers, Camorra
By Isabella Camera D'Afflitto Writers Arabs of the twentieth century
-
panels Nicola was born in Como May 26, 1966, he studied three years of singing at the Conservatory "Niccolò Paganini" in Genoa and graduated from the acting school of Teatro Stabile of Genoa in 1991.
In theater she has worked mainly with Cristina Pezzoli and Marco Valerio Binasco Sciaccaluga, and then with Massimo Mesciulam, Benno Besson, Guido De Monticelli, Vittorio Gassman, Massimo Castri, J. Lassalle, Giuseppe Emiliani, Filippo Dini, Flavio Parenti, Veronica Cruciani . As a director and performer for
Narramondo has edited the following composition: 11 September (the author), Ballad for a hot autumn Jean Genet in Chatila Four hours (co-directed Filippo Dini), The Man Who Planted Trees, AA.VV. American Dream, the tragedy denied. The Br, Moro and others (also co-authored with Albert Louis), deception, heroes, spies and other ghosts (co-director and also co-author with Carlo Orlando).
He also worked for the cinema (among others Fandango 1999 The partisan Jonnhy director Guido Chiesa, Fox and director Valerie Gould Keawe Binasco)
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Deepening Authors
Svetlana Aleksievic [or Alexeyevich] was born in 1948 in Ukraine , Ivano-Frankovsk, from father and mother of Belarus and Ukraine is growing in the country of Belarus. Completed his university studies he joined in Minsk drafting the "Sel'skaja Gazeta, and after the literary magazine" Neman "(organ of the Association of Belarusian writers).
"The war is not a woman's face," his first book in 1983, has trouble with the censors and remains locked for two years from the publisher: is accused of pacifism, naturalism, desecration of the heroic figure of the woman Soviet precisely because the book tells women to the front during the Second World War. Despite opposition propaganda office of the Central Committee of the Belarusian PC editions follow one another, reaching 2 million copies. In 1985 the release of another book on the War world, where the hundred tales of "the last witnesses to" tell of Belarus under German occupation. The press in Belarus and the USSR for civilian and literary merit is multiplied, for they would be added over the years too important awards for his books in Sweden, France, Germany, Austria, Italy.
After "The boys of zinc" (1989, on veterans of the war in Afghanistan ) and "Enchanted by death" (1993, on suicide following the collapse of ' USSR) in 1997 Aleksievic he published "Prayer Chernobyl ", which speaks of the forgotten 'people of Chernobyl, an open problem in our twenty-first century, for the Republics of the former USSR (Belarus, Ukraine, Russia), that throughout the world. The tragedy will mark the people involved for decades and perhaps many more generations.
"I have long tried myself, I wanted to find something that I am closer to reality, I was tormented hypnotized, passionately curious about its reality. Grasp all that is true, that's what I wanted. And I treated this man-black instantly, without the voices of men and women, confessions, testimonies and documents of the soul of the people. It is the world I see and I feel just this way: through the voices-and that's everyday life and living. The my sight and my hearing is so structured. And everything I had into it immediately proved useful, because it was necessary to be both a writer, journalist, sociologist, psychoanalyst, preacher ... "
Salierno Giulio (1935-2006) was professor of sociology at the University Teramo and worked for the National Research Council. Involved in 1953 in incidents of political violence and common, wanted for murder, found shelter in the Foreign Legion. Arrested in Sidi-Bel-Abbes, Algeria has lived in prisons, jails and French and Italian. Released and rehabilitated in 1968, has published several books and has created six original radio for RAI. E ', published by Einaudi (among his titles: The prison in Italy with Aldo Ricci and Autobiography of a fascist thug).
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Narramondo is an association of people who have decided to bring in theater the wounds of our time. E 'was born in Genoa in July 2001. Since then he has followed paths of research in various directions with the aim of bringing to the public - in the theater and elsewhere-the "inadmissible" for oppressed people under occupation, people "hanging" and their beauty. Recount in under tragic - so distant from our melodrama - the resistance in Iraq, Palestine, Chechnya, in short, the peoples in conflict, the guerrilla resistance - the Our origins forgotten - the Nazi-Fascism. Dwell in the contemporary tragedy and we do it because half of the tourists and the other half witnessed the horror of pain and struggle. The fight should be repeated! We love those who resist and fight. Despite the stolen life, the pain and sores, the defendants unsheathe cheerful insolence that challenge the systems, the men responsible for the misery. Panels
Nicola, artistic director Narramondo (from One Hundred Years of Poison Alessandro Hellmann And Alternative Press, 2005)
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The group, born in Genoa in 2001 and consists of 15 professional actors working with theaters (including Rome: Teatro India, Lieutenant Theater, Rialto Sant'Ambrogio, Cometa Off, Theatre Faranume Milan: Teatro Libero - Genoa Teatro Cargo Hop Elsewhere - Udine: CSS - Livorno: Theater Skyscraper - Naples: San Carluccio, Elicantropo), common (Rome-Hall IX, Florence-2 district, Monteriggioni / Piancastagniaio , Siena), associations (Tuscany Theatre Foundation, Asst Theatres of Rome, Armunia-PI, Alma-visual ROME, Aida-VR, Furattola-VB-Buonsegno Biella, Historical Museum of Trento, bad teachers-SV-Tenth Planet NA) centers (The Road to Rome, Forte predestination-Rome-Ravenna Mamluks) and national festivals. (More info www.narramondo.it)
Organization and Promotion:
Lisa Raffaghello
613594Tel Cell 333, fax 468 014 0143
lisaraffaghello@gmail.com - info@narramondo.it
-
The accommodation for participants will be offered by seninario Cortemilia Eco home in the terraces, recently restored farmhouse on the hills of Cortemlia .
Some evenings will be showing films and documentaries on the subject and you will see ELEMENTS CONTEMPORARY evidence shows Narramondo.
E 'specified, the last evening of the seminar an open rehearsal with the presence of the public.
_
Logistics
the seat of the terraces of the Eco Cortemilia there are 2 triple and 1 quadruple (all with bathroom) as well as an outbuilding nearby that can accommodate 12 beds (hostel style, with bunk beds).
We will have the kitchen and the meals will be paid with common pot.
Cost of the workshop will vary depending on the number of members
- Up to 5 persons is 350 €
- Over is 300 €.
To register we ask for a bank as a deposit of 100 € to be carried out on our postal account at least twenty days before the 'beginning of the seminar.
causal - SUBSCRIPTION name surname SEMINAR CORTEMILIA
payable to: Asst Narramondo postal account in the one office of S. Piero a Sieve (FI) N. C / C 51876720 ABI 7601 CAB 2800.
_
How to reach Cortemilia
By public transportation: by train then by bus from Savona or Acqui Terme (via Genova) see the timetable of the bus company jealous http://www.gelosobus.it/provincia_cn.html
By car: from Milan, A7 direction Genoa, Alexandria exit east or south, continue to Acqui Terme - Savona, near the junction of Bistagno right Cortemilia, from Savona, Turin, A6, exit carcare, drive to downtown Cairo Montenotte, follow the signs to Cortemilia, Torino, Carmagnola A6, follow the signs for Alba from Alba and then signs for Cortemilia-Savona.
More info on www.narramondo.it
panels Nicola was born in Como May 26, 1966, he studied three years of singing at the Conservatory "Niccolò Paganini" in Genoa and graduated from the acting school of Teatro Stabile of Genoa in 1991.
In theater she has worked mainly with Cristina Pezzoli and Marco Valerio Binasco Sciaccaluga, and then with Massimo Mesciulam, Benno Besson, Guido De Monticelli, Vittorio Gassman, Massimo Castri, J. Lassalle, Giuseppe Emiliani, Filippo Dini, Flavio Parenti, Veronica Cruciani . As a director and performer for
Narramondo has edited the following composition: 11 September (the author), Ballad for a hot autumn Jean Genet in Chatila Four hours (co-directed Filippo Dini), The Man Who Planted Trees, AA.VV. American Dream, the tragedy denied. The Br, Moro and others (also co-authored with Albert Louis), deception, heroes, spies and other ghosts (co-director and also co-author with Carlo Orlando).
He also worked for the cinema (among others Fandango 1999 The partisan Jonnhy director Guido Chiesa, Fox and director Valerie Gould Keawe Binasco)
-
Deepening Authors
Svetlana Aleksievic [or Alexeyevich] was born in 1948 in Ukraine , Ivano-Frankovsk, from father and mother of Belarus and Ukraine is growing in the country of Belarus. Completed his university studies he joined in Minsk drafting the "Sel'skaja Gazeta, and after the literary magazine" Neman "(organ of the Association of Belarusian writers).
"The war is not a woman's face," his first book in 1983, has trouble with the censors and remains locked for two years from the publisher: is accused of pacifism, naturalism, desecration of the heroic figure of the woman Soviet precisely because the book tells women to the front during the Second World War. Despite opposition propaganda office of the Central Committee of the Belarusian PC editions follow one another, reaching 2 million copies. In 1985 the release of another book on the War world, where the hundred tales of "the last witnesses to" tell of Belarus under German occupation. The press in Belarus and the USSR for civilian and literary merit is multiplied, for they would be added over the years too important awards for his books in Sweden, France, Germany, Austria, Italy.
After "The boys of zinc" (1989, on veterans of the war in Afghanistan ) and "Enchanted by death" (1993, on suicide following the collapse of ' USSR) in 1997 Aleksievic he published "Prayer Chernobyl ", which speaks of the forgotten 'people of Chernobyl, an open problem in our twenty-first century, for the Republics of the former USSR (Belarus, Ukraine, Russia), that throughout the world. The tragedy will mark the people involved for decades and perhaps many more generations.
"I have long tried myself, I wanted to find something that I am closer to reality, I was tormented hypnotized, passionately curious about its reality. Grasp all that is true, that's what I wanted. And I treated this man-black instantly, without the voices of men and women, confessions, testimonies and documents of the soul of the people. It is the world I see and I feel just this way: through the voices-and that's everyday life and living. The my sight and my hearing is so structured. And everything I had into it immediately proved useful, because it was necessary to be both a writer, journalist, sociologist, psychoanalyst, preacher ... "
Salierno Giulio (1935-2006) was professor of sociology at the University Teramo and worked for the National Research Council. Involved in 1953 in incidents of political violence and common, wanted for murder, found shelter in the Foreign Legion. Arrested in Sidi-Bel-Abbes, Algeria has lived in prisons, jails and French and Italian. Released and rehabilitated in 1968, has published several books and has created six original radio for RAI. E ', published by Einaudi (among his titles: The prison in Italy with Aldo Ricci and Autobiography of a fascist thug).
-
Narramondo is an association of people who have decided to bring in theater the wounds of our time. E 'was born in Genoa in July 2001. Since then he has followed paths of research in various directions with the aim of bringing to the public - in the theater and elsewhere-the "inadmissible" for oppressed people under occupation, people "hanging" and their beauty. Recount in under tragic - so distant from our melodrama - the resistance in Iraq, Palestine, Chechnya, in short, the peoples in conflict, the guerrilla resistance - the Our origins forgotten - the Nazi-Fascism. Dwell in the contemporary tragedy and we do it because half of the tourists and the other half witnessed the horror of pain and struggle. The fight should be repeated! We love those who resist and fight. Despite the stolen life, the pain and sores, the defendants unsheathe cheerful insolence that challenge the systems, the men responsible for the misery. Panels
Nicola, artistic director Narramondo (from One Hundred Years of Poison Alessandro Hellmann And Alternative Press, 2005)
-
The group, born in Genoa in 2001 and consists of 15 professional actors working with theaters (including Rome: Teatro India, Lieutenant Theater, Rialto Sant'Ambrogio, Cometa Off, Theatre Faranume Milan: Teatro Libero - Genoa Teatro Cargo Hop Elsewhere - Udine: CSS - Livorno: Theater Skyscraper - Naples: San Carluccio, Elicantropo), common (Rome-Hall IX, Florence-2 district, Monteriggioni / Piancastagniaio , Siena), associations (Tuscany Theatre Foundation, Asst Theatres of Rome, Armunia-PI, Alma-visual ROME, Aida-VR, Furattola-VB-Buonsegno Biella, Historical Museum of Trento, bad teachers-SV-Tenth Planet NA) centers (The Road to Rome, Forte predestination-Rome-Ravenna Mamluks) and national festivals. (More info www.narramondo.it)
Organization and Promotion:
Lisa Raffaghello
613594Tel Cell 333, fax 468 014 0143
lisaraffaghello@gmail.com - info@narramondo.it
-
The accommodation for participants will be offered by seninario Cortemilia Eco home in the terraces, recently restored farmhouse on the hills of Cortemlia .
Some evenings will be showing films and documentaries on the subject and you will see ELEMENTS CONTEMPORARY evidence shows Narramondo.
E 'specified, the last evening of the seminar an open rehearsal with the presence of the public.
_
Logistics
the seat of the terraces of the Eco Cortemilia there are 2 triple and 1 quadruple (all with bathroom) as well as an outbuilding nearby that can accommodate 12 beds (hostel style, with bunk beds).
We will have the kitchen and the meals will be paid with common pot.
Cost of the workshop will vary depending on the number of members
- Up to 5 persons is 350 €
- Over is 300 €.
To register we ask for a bank as a deposit of 100 € to be carried out on our postal account at least twenty days before the 'beginning of the seminar.
causal - SUBSCRIPTION name surname SEMINAR CORTEMILIA
payable to: Asst Narramondo postal account in the one office of S. Piero a Sieve (FI) N. C / C 51876720 ABI 7601 CAB 2800.
_
How to reach Cortemilia
By public transportation: by train then by bus from Savona or Acqui Terme (via Genova) see the timetable of the bus company jealous http://www.gelosobus.it/provincia_cn.html
By car: from Milan, A7 direction Genoa, Alexandria exit east or south, continue to Acqui Terme - Savona, near the junction of Bistagno right Cortemilia, from Savona, Turin, A6, exit carcare, drive to downtown Cairo Montenotte, follow the signs to Cortemilia, Torino, Carmagnola A6, follow the signs for Alba from Alba and then signs for Cortemilia-Savona.
More info on www.narramondo.it
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